A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention. (SLYT) “It made explicit and poetic the astonishing gift the cinema made possible, of arranging what we see, ordering it, imposing a rhythm and language on it, and transcending it.” ~~ Roger Ebert
There was an overall plan. He would show 24 hours in a single day of a Russian city. It took him four years to film this day, and he worked in three cities: Moscow, Kiev and Odessa. His wife Yelizaveta Svilova supervised the editing from about 1,775 separate shots — all the more impressive because most of the shots consisted of separate set-ups. The cinematography was by his brother, Mikhail Kaufman, who refused to ever work with him again. (Vertov was born Denis Kaufman, and worked under a name meaning “spinning top.” Another brother, Boris Kaufman, immigrated to Hollywood and won an Oscar for filming “On the Waterfront.”) ~~ Roger Ebert
Man with a Movie Camera — Wikipedia
Man with a Movie Camera’s usage of double exposure and seemingly “hidden” cameras made the movie come across as a surreal montage rather than a linear motion picture. Many of the scenes in the film contain people, which change size or appear underneath other objects (double exposure). Because of these aspects, the movie is fast-moving. The sequences and close-ups capture emotional qualities that could not be fully portrayed through the use of words. The film’s lack of “actors” and “sets” makes for a unique view of the everyday world; one that, according to a title card, is directed toward the creation of a new cinematic language that is “[separated] from the language of theatre and literature”.