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Meanwhile, like many in [[Spain]], Marquerie lost faith in the [[Spanish Constitution of 1931 |recently established]] [[Background of the Spanish Civil War#The “black biennium”|republican government]] during a period of fragmented politics and economic austerity. After 1933, in the evenings he was increasingly to be found frequenting the [[Falange Española |Falangist]] [[:es:ballena alegre|”ballena alegre” (”literary circle”)]] centred around [[José Antonio Primo de Rivera]], which held regular gatherings on the ground floor of the “Cervecería Lyon”.<ref name=AMMsegunAPQ/> <ref name=AMMsegunSL&CS>{{cite web |page=308 |title=Who and what was José Antonio Nieves Conde criticizing in the film “El inquilino”? – Note 1 |author1= Susan Larson (author) |author2=Carlos Sambricio (author) |date=15 October 2021 |isbn=978-1789384895 |work=Architecture and the urban in Spanish film |url=https://books.google.co.uk/books?id=A104EAAAQBAJ&pg=PT308&lpg=PT308&dq=|accessdate=12 October 2021}}</ref> Some of the more high-profile of the other particpants were the writer-diplomat [[:es:Agustín de Foxá |Agustín de Foxá]], the writer-commentator [[Rafael Sánchez Mazas]] and the writer [[:es:Víctor de la Serna |Víctor de la Serna]], along with the poet-politicians [[:es:José María Alfaro Polanco |José María Alfaro Polanco]] and [[Dionisio Ridruejo]]. By being part of this circle of politically involved intellectuals, Marquerie had placed himself firmly on the right of the political spectrum by the time [[Spanish Civil War |civil war]] broke out in 1936.<ref name=AMMsegunJRP/>
 
Meanwhile, like many in [[Spain]], Marquerie lost faith in the [[Spanish Constitution of 1931 |recently established]] [[Background of the Spanish Civil War#The “black biennium”|republican government]] during a period of fragmented politics and economic austerity. After 1933, in the evenings he was increasingly to be found frequenting the [[Falange Española |Falangist]] [[:es:ballena alegre|”ballena alegre” (”literary circle”)]] centred around [[José Antonio Primo de Rivera]], which held regular gatherings on the ground floor of the “Cervecería Lyon”.<ref name=AMMsegunAPQ/> <ref name=AMMsegunSL&CS>{{cite web |page=308 |title=Who and what was José Antonio Nieves Conde criticizing in the film “El inquilino”? – Note 1 |author1= Susan Larson (author) |author2=Carlos Sambricio (author) |date=15 October 2021 |isbn=978-1789384895 |work=Architecture and the urban in Spanish film |url=https://books.google.co.uk/books?id=A104EAAAQBAJ&pg=PT308&lpg=PT308&dq=|accessdate=12 October 2021}}</ref> Some of the more high-profile of the other particpants were the writer-diplomat [[:es:Agustín de Foxá |Agustín de Foxá]], the writer-commentator [[Rafael Sánchez Mazas]] and the writer [[:es:Víctor de la Serna |Víctor de la Serna]], along with the poet-politicians [[:es:José María Alfaro Polanco |José María Alfaro Polanco]] and [[Dionisio Ridruejo]]. By being part of this circle of politically involved intellectuals, Marquerie had placed himself firmly on the right of the political spectrum by the time [[Spanish Civil War |civil war]] broke out in 1936.<ref name=AMMsegunJRP/>
   
Marqueríe was in [[Madrid]] when [[Spanish Civil War|war]] broke out. In September 1936 [[San Sebastián]] became one of the first major cities [[War in the North|to fall to]] [[Nationalist faction (Spanish Civil War)|the nationalist armies]] commanded by [[Francisco Franco|General Franco]]. Very shortly after that, Alfredo Marqueríe relocated from Madrid to [[San Sebastián]] which became his home for the rest of the war, from where he wielded his pen in support of the [[Falange Española |Falangist]] cause. It is not entirely clear whether or how far he participated in any physical fighting.<ref name=GueCivsegunRRT>{{cite web|pages=105-108 |title==El frente y la ocupación de Madrid a través de la propaganda cinemato/gráfica del bando nacional en la Guerra Civil |author=Rafael R. Tranche |year=2007 |publisher=Ediciones Complutense |url=https://core.ac.uk/download/pdf/38810865.pdf |accessdate=12 October 2021}}</ref> Franco-supporting magazines for which he wriote during this period included [[:es:Unidad (periódico) |”Unidad”]], [[:es:Vértice (revista) |”Vértice”]], [[:es:Fotos (revista) |”Fotos”]] and “Domingo”.<ref name=AMMsegunJRP/> He wrote a number of poems that were included in “Lira bélica”, probably the best known of a number of Francoist anthologies of contemporary war poetry, compiled by Jesús Sanz y Díaz published in 1939. Elements in it had nevertheless already been published individually.<ref name=LbsegunJAdUA>{{cite web |title=El Cancionero de la guerra: retaguardias y represion. |url=https://www.thefreelibrary.com/El+Cancionero+de+la+guerra%3A+retaguardias+y+represion.-a0377409443 |author=Juan Antonio de Urda Anguita |date=January 2014 |publisher= The Free Library. 2014 University of North Carolina at Chapel Hill, Department of Romance Languages |work=Hispanofila |accessdate=12 October 2021}}</ref><ref name=LirBelsegunJCG>{{cite web |pages=292=294 |title=Por Dios y por España: Poesía y Propaganda |work=Métodos de propaganda activa en la Guerra Civil española: Literatura, arte, música, prensa y educación |author1=Javier Cuesta Guadano (author) |author2=Emilio Peral Vega (compiler-editor) |author3=Francisco Sáez Raposo (compiler-editor) |year=2015 |url=https://books.google.co.uk/books?id=btBGEAAAQBAJ&pg=PA292&lpg=PA292&dq= |isbn=978-3954874354 |publisher=[[:es:Iberoamericana Vervuert |Iberoamericana Vervuert]] |accessdate=12 October 2021}}</ref>
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Marqueríe was in [[Madrid]] when [[Spanish Civil War|war]] broke out. In September 1936 [[San Sebastián]] became one of the first major cities [[War in the North|to fall to]] [[Nationalist faction (Spanish Civil War)|the nationalist armies]] commanded by [[Francisco Franco|General Franco]]. Very shortly after that, Alfredo Marqueríe relocated from Madrid to [[San Sebastián]] which became his home for the rest of the war, from where he wielded his pen in support of the [[Falange Española |Falangist]] cause. It is not entirely clear whether or how far he participated in any physical fighting.<ref name=GueCivsegunRRT>{{cite web|pages=105-108 |title==El frente y la ocupación de Madrid a través de la propaganda cinemato/gráfica del bando nacional en la Guerra Civil |author=Rafael R. Tranche |year=2007 |publisher=Ediciones Complutense |url=https://core.ac.uk/download/pdf/38810865.pdf |accessdate=12 October 2021}}</ref> Franco-supporting magazines for which he wriote during this period included [[:es:Unidad (periódico) |”Unidad”]], [[:es:Vértice (revista) |”Vértice”]], [[:es:Fotos (revista) |”Fotos”]] and “Domingo”.<ref name=AMMsegunJRP/> He wrote a number of poems that were included in “Lira bélica”, probably the best known of a number of Francoist anthologies of contemporary war poetry, compiled by Jesús Sanz y Díaz published in 1939. Elements in it had nevertheless already been published individually.<ref name=LbsegunJAdUA>{{cite web |title=El Cancionero de la guerra: retaguardias y represion. |url=https://www.thefreelibrary.com/El+Cancionero+de+la+guerra%3A+retaguardias+y+represion.-a0377409443 |author=Juan Antonio de Urda Anguita |date=January 2014 |publisher= The Free Library. 2014 University of North Carolina at Chapel Hill, Department of Romance Languages |work=Hispanofila |accessdate=12 October 2021}}</ref><ref name=LirBelsegunJCG>{{cite web |pages=292=294 |title=Por Dios y por España: Poesía y Propaganda |work=Métodos de propaganda activa en la Guerra Civil española: Literatura, arte, música, prensa y educación |author1=Javier Cuesta Guadano (author) |author2=Emilio Peral Vega (compiler-editor) |author3=Francisco Sáez Raposo (compiler-editor) |year=2015 |url=https://books.google.co.uk/books?id=btBGEAAAQBAJ&pg=PA292&lpg=PA292&dq= |isbn=978-3954874354 |publisher=[[:es:Iberoamericana Vervuert |Iberoamericana Vervuert]] |accessdate=12 October 2021}}</ref> Other [[Nationalist faction (Spanish Civil War)|pro-nationalist]] poets featured in the compilation included [[:es:Agustín de Foxá |Agustín de Foxá]], [[José María Pemán]], [[Eduardo Marquina]] and [[Manuel Machado (poet)|Manuel Machado]].<ref name=LirBelsegunJCG/>
   
 
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