Absence (Terence Blanchard album)

At [[Metacritic]], which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 87, based on four reviews, which indicates “universal acclaim”.<ref name=”MC”/>

At [[Metacritic]], which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 87, based on four reviews, which indicates “universal acclaim”.<ref name=”MC”/>

Steve Futterman of ”[[The New Yorker]]” wrote, “With “Absence,” the trumpeter Terence Blanchard pays tribute to the influential octogenarian composer in a project that reconsiders a handful of Shorter’s works…, along with originals dedicated to the iconic patriarch. Employing his plugged-in E-Collective unit, with ample contributions from the Turtle Island Quartet, and tellingly shedding any additional wind instruments, Blanchard avoids deliberate stylistic intimations of Shorter’s own classic work, or of his collaborations with both Miles Davis and Weather Report, in favor of a lush and dramatic soundscape that calls to mind Blanchard’s career as a successful film composer.”<ref>{{cite web |last1=Futterman |first1=Steve |title=Terence Blanchard: “Absence” |url=https://www.newyorker.com/goings-on-about-town/night-life/aimee-mann-12-27-2021 |website=[[The New Yorker]] |access-date=30 December 2021 |language=en}}</ref> John Garratt of ”[[PopMatters]]” commented, “”Absence” sounds too perfect to be the product of nine musicians struggling for their art. As far as complaints go, that’s a meager one. There is a great deal going on inside these 64 minutes of music, and that alone should be enough to provoke many revisits. The composition quality and all-around musicianship are foregone conclusions with Blanchard, who somehow manages not to spread himself thin when premiering an opera in New York while scoring multiple works for Spike Lee. To imagine ”Absence” as another brick in that wall is rather staggering.”<ref name=”PM”/>

Steve Futterman of ”[[The New Yorker]]” wrote, “With “Absence,” the trumpeter Terence Blanchard pays tribute to the influential octogenarian composer in a project that reconsiders a handful of Shorter’s works…, along with originals dedicated to the iconic patriarch. Employing his plugged-in E-Collective unit, with ample contributions from the Turtle Island Quartet, and tellingly shedding any additional wind instruments, Blanchard avoids deliberate stylistic intimations of Shorter’s own classic work, or of his collaborations with both Miles Davis and Weather Report, in favor of a lush and dramatic soundscape that calls to mind Blanchard’s career as a successful film composer.”<ref>{{cite web |last1=Futterman |first1=Steve |title=Terence Blanchard: “Absence” |url=https://www.newyorker.com/goings-on-about-town/night-life/aimee-mann-12-27-2021 |website=[[The New Yorker]] |access-date=30 December 2021 |language=en}}</ref> John Garratt of ”[[PopMatters]]” commented, “”Absence” sounds too perfect to be the product of nine musicians struggling for their art. As far as complaints go, that’s a meager one. There is a great deal going on inside these 64 minutes of music, and that alone should be enough to provoke many revisits. The composition quality and all-around musicianship are foregone conclusions with Blanchard, who somehow manages not to spread himself thin when premiering an opera in New York while scoring multiple works for Spike Lee. To imagine ”Absence” as another brick in that wall is rather staggering.”<ref name=”PM“/> Mike Hobart inhis review for ”[[Jazzwise]]” added, “An impressive, densely-textured album, with headlong improvisations spiced by dramatic juxtapositions of electric band and strings.”<ref name=”JW“/>

== Track listing ==

== Track listing ==