And then it was time for Toronto to drown in the sweet sorrow of Clash At Demonhead, again, but in the form of an anime. That’s right, Netflix is planning to develop a new adaptation to the cult classic comic book and movie Scott Pilgrim vs. The World….
Original Observer Photography
A succession of actors, environmental activists and some live music – the best photographs commissioned by the Observer in October 2021 Continue reading…
London film festival 2021: Peter Bradshaw’s top 10 picks
Tilda Swinton in Memoria, Kenneth Branagh’s memorial to Belfast and Edgar Wright’s 60s horror: the Guardian’s chief film critic chooses his must-sees at this year’s festivalCéline Sciamma’s beautiful fairytale reverie is mysterious and moving. After he…
Venice film festival 2021 roundup – a formidably good year on the Lido
Big name directors at their best feature alongside daring visionaries from the farther realms of art cinema – but to whom will Bong Joon-ho’s jury award the Golden Lion?Critics are allegedly very hard to please. There’s a joke told in the 19th-century …
Last Night in Soho review – a gaudy romp that’s stupidly enjoyable
Edgar Wright’s time-travel film plays like a 60s pop song building towards a big climaxThe nostalgia gauge is code-red on Last Night in Soho, a gaudy time-travel romp that whisks its modern-day heroine to a bygone London that probably never existed out…
Blood, gore and a healthy dose of catharsis: why horror can be good for us
A grisly feast of scary British films is heading our way. Why now? Once seen as ‘video nasties’, many believe they have a positive role to play in a pandemicThe terror begins in the London of 1985 when Enid Baines, a film censor, spots an eerie reflect…
The Sparks Brothers review – a match made in heaven
Shaun of the Dead director Edgar Wright is a perfect fit for the absurdist antics of art pop’s most elusive duo in this stranger-than-fiction documentary“They are a band who you can look up on Wikipedia and know nothing!” So says long-term Sparks fan J…