There are moments of dreamlike brilliance in this extravagant fable of imperialism – provided you can stay awake to see themWith Denis Villeneuve’s new adaptation of Dune almost upon us, here is a chance to revisit David Lynch’s ill-starred attempt fro…
The Green Knight review – Dev Patel rides high on sublimely beautiful quest
Director David Lowery conjures up visual wonders and metaphysical mysteries from the anonymously authored 14th-century chivalric poemChrist’s sacrifice and the erotic death-wish of earthly glory: these are the components of this freaky folk horror from…
‘Anthony Hopkins committed within five minutes’: how I wrote The Father with Florian Zeller
After Christopher Hampton saw Zeller’s dementia drama on stage in Paris, neither language, finance nor another film adaptation could thwart their collaboration on the screenplayI first met Florian Zeller about eight years ago. It was in the foyer of th…
The Lost Daughter review – Olivia Colman lights up Elena Ferrante psychodrama
Maggie Gyllenhaal’s accomplished directing debut makes humid, sensual cinema of Ferrante’s novelOlivia Colman gives a powerhouse turn in The Lost Daughter, prickly and combustible as Leda Caruso, a middle-aged languages professor on a working holiday i…
Moonbound review – a mish-mash of folkloric hijinks as kids take trip to the moon
This German-Austrian animation aimed at younger children borrows from vaguely familiar sourcesBased on a well-known German book for children from 1915, this derivative but adequate animated feature fuses together an assortment of vaguely familiar chara…